The Phantom of the Opera
New Cast Debut
September 1st, 2014, marked the debut of the new cast of The Phantom of the Opera in London, including new a new Christine, Raoul, Piangi, and Meg, as well as two new Ballet Girls and a mostly new ensemble. After having such an incredible cast finish on Saturday, I was wary of the new group, especially since few of them had a good track record - or a track record of any kind! I had a rough idea of what I was walking into, and I was mostly unsurprised, and disappointed, with the new cast. But there were a few pleasant surprises, and a few parts that I enjoyed about the new bunch. I should also say that I'm not giving any leeway for nerves (i.e. you won't hear me say, "I'll put that down to nerves, it'll be better next time." Nope, don't do that. There are ways to combat nerves, and regardless, it's not good to let nerves affect a performance to the point that the audience can notice it).
Emmi Christensson (Phantom Official Site) |
The Raoul/Christine scene and Angel of Music were nice enough; nothing special (though I did like Liam's early character development. He's made Raoul more of a self-centred jerk than I prefer, but it's not badly done). Emmi's accent was a bit off here as well (as it was for pretty much every song, unless I say otherwise). Side note: I think the BGs have new Degas costumes; those things were puffy! The Phantom of the Opera was ok. This was probably the only song where I didn't hear her accent (probably because it's prerecorded and she had a few tries to get it right). Her lip synching isn't great, but I've seen worse. I honestly only watched Geronimo during MOTN, and he was fluffing awesome as he always is (the perfect balance of creepy and charming). I Remember/Stranger were fine. I mostly watched the Mirror Bride, to be honest. Lisa-Anne Wood's picked a different position than Ashleigh and she seemed to have some trouble holding it, but I'm equating that to a lack of practice. Buquet was fine as normal, Notes was lacklustre without Cat's spunkiness and Jeremy's humour. Alicia has some cute moments (i.e. when Mme Giry dismisses her from Christine's dressing room, she stuck her tongue out and rolled her eyes; it was funny), but aside from a carbon copy of Jeremy and Lara's interaction during Prima Donna, John has no merits. I didn't enjoy Emmi in Il Muto; there was just nothing to it. Alicia's costume for that scene is a bizarre colour - I probably would've gone with something more purple and a different shape of dress. Enough said about that. Loved the Il Muto Ballet as usual; the BGs seem to be a good bunch, though I would've preferred if Georgia had taken the solo part instead of Alicia. AIAOY was nothing special. Again, Liam's done quite well. Arrogant portrayal and very overacted at points, but overall it was good, and opposite Emmi's very flat portrayal, it was nice to have something more well-developed. Emmi's dropping the ends of letters off of words, and again struggling to hit the notes (well, that's what it sounds like to me. There was something off about her voice; it just didn't sound right). The chandelier coming down was sort of "I'm going to stand here with my mouth open until something happens." Not the most convincing acting.
Liam Tamne (Phantom official site) |
In PONR, Emmi made a lyric mistake. Instead of "To that moment where words run dry," she sand "to that moment where dreams come true." I'm not sure where those particular words came from, but I'll give her this: she didn't flinch, and if you didn't know the lyrics, you wouldn't recognise the mistake, so well done to her on that. In ending to PONR, she did a very good job trying to resist the Phantom, such that he had to grab her hand because she wouldn't hold it herself. She also did a convincing job pulling the Phantom's cloak and mask/hair off. I could believe that the Phantom wouldn't have seen it coming. I almost wonder if she forgot the choreography a few times though, as sometimes she'd get half way through a move, stop, and then rush the rest of it (the apple on the skirt… I nearly cried it was so badly done. She'll wear a hole in the dress if she keeps that up). The Final Lair wasn't as bad as I thought it would be either. Liam was fabulous (he wiggled around too much in the noose, but that might be a personal preference, and he didn't do some of the things I've loved that Antony did, but again, personal preference). Emmi was ok in this, surprisingly. She does angry better than any other emotion. Bit of an awkward moment when Geronimo grabbed her and she didn't respond the way he or I expected, so he had to throw her down a bit early. Not a fan of Emmi's wedding dress; the skirt was very limp and the bodice seems to be missing something. Too much emphasis on the shellfish bra thing. I don't mind the current style of west end wedding dresses, but I hate that shellfish bra. My main complaint about her and Liam in the Final Lair was when they were waiting for the Phantom to chase after them, that's just it - they were waiting. Standing there, arms around each other, just waiting. Emmi did do a great face when he came after them though. Total lack of emotion when giving back the ring.
Well, that was that! It definitely wasn't a very enjoyable show. Unlike Harriet, who was just oozing potential in her early shows, I don't see anything in Emmi. Liam's definitely got a lot in him and I'm hoping he continues to give passionate performances and doesn't settle into it too much. There's nothing worse than a bored Raoul. I see potential for improvement in Alicia as well; she just need to work on her voice more; both hitting the notes and getting her volume up. No comment on the Piangi. All the new BGs seem good, though I wasn't paying too close attention to the new girls. Very good ensemble; they've got some big voices, great acting, and interesting details in their parts; most of them (especially Lisa-Anne Wood and Lyndsey Gardiner) managed to give their very short-lived ensemble characters a personality, which I appreciate. Some interesting new costumes, both nice and not-so-nice.
I'm not going to hurry back, nor am I going to recommend this particular cast to anyone (definitely aim for a Harriet show, then you're almost guaranteed a pretty strong trio). Though it wasn't as awful as I had predicted, I didn't enjoy it very much.
Hi Elizabeth,
ReplyDeleteI loved your write-up of the last performances by the previous cast. I totally agree with you about Olivia. I went to see the Phantom Tour and we ended up seeing Olivia instead of Katie but were totally blown away by her voice. I've seen the show 6 times now and she is by far the best Christine I have seen.
I have seen Liam in Les Mis and he was really good, so hopefully he will grow into this role. He did (as did his character, intentionally I assume) seem rather cocky, so it's interesting for you to mention this too :)
One thing you mentioned in this post is the pre-recording of POTO. I was always aware that some stuff was pre-recorded but never knew exactly what. Do you have some insight into this?
Loved reading your blog posts and look forward to reading more in the future :)
Jim
Hi Jim,
ReplyDeleteYes, the title song is prerecorded, as is the Overture and the Red Death bit in Masquerade. If you watch the conductor during the show, you'll see him put headphones on every now and then. That's how you know when something's prerecorded.
If you're looking for a detailed list of what's prerecorded, check out Operafantomet on Tumblr.
Thanks for reading :)